Tag Archives: Dark Messiah

Previously From the Makers of “Dishonored”: Arx Fatalis

Hoping that Dishonored becomes 2012’s breakout hit, I’ve been investigating the developer’s two previous games. After the fantasy action of Dark Messiah: Might and Magic, I’m not sure if I should be surprised that Arkane’s first game, Arx Fatalis, is the more ambitious of the two.

In my previous post about Dark Messiah I talked about how the game by its cover and reputation looked like a smart, relatively open-ended RPG, but in reality turned out to be a first person shooter with swords and spells instead of guns. Still a good game showing off a clear understanding of stealth game design which I hope Arkane reproduces in Dishonored, but also quite modest. Arx, which came out in 2001 and 2002 for the PC and Xbox respectively but got overshadowed by Morrowind,is more what I was looking for – an overlooked dungeon crawling classic.

For anyone still planning to get their free copy of Arx with that Steam pre-purchase of Dishonored, it’s kind of a hard game to describe if you’ve only been experiencing western-style first person action RPGs on the Xbox 360 and PlayStation 3. Arkane wanted to make another installment of Ultima Underworld – the series that eventually led to System Shock which then lead to Bioshock, but EA wouldn’t give them the rights. So, Arx is what we got instead. GiantBomb has a family tree explaining the situation. I still haven’t played Underworld, but in relation to current gen fare, you might be able to get away with calling Arx BioShock in a subterranean fantasy kingdom with much heavier RPG elements… sort of.

Actually, to me Arx eventually felt very much like a Metroidvania, complete with discoverable warp points between areas. Anyway, at the very end of the main quest as of this writing, the game has turned out to be deep, intricate, and surprisingly open-ended.

While hunting for a magic shield in a crypt in order to bribe a group of rebels, I found myself knee deep in zombies who poisoned me to the touch, all while trying to work out the proper sequence of switches to unlock the main gate and avoid booby traps. Scrounging for wooden stakes to make sure the zombie stay dead, I stumbled upon a secret passage to a cave where I was horrified to hear the heavy footsteps of trolls. Further in I see a group of them fighting some goblins. As one troll stands victorious I decide to use some of my bottled water to put out nearby torches and wait at the end of a dark hallway, bow drawn, ready to make a distant stealth kill. Some 15-odd hours later, a side quest rewarded me with an amulet that would have made all those trolls non-hostile.

From the minute you start, breaking out of a goblin prison armed with little more than a bone and some rope, Arx presents itself as a game about using whatever resources are available to you. In the fashion that today’s action RPGs have carried on, Arx gives you several styles of play, but it’s not like picking the most entertaining ways to kill enemies. I’ve had to sit down and mull over enemies and obstacles for minutes at a time, trying to figure out an effective combination of spells and stealth arrow strikes.

Arx also urges you to explore it to the fullest extent, which is typically how most problems along the way are solved. What really caught me off-guard was how puzzle-heavy Arx is. There aren’t very many environmental or traditional puzzles to solve, but compared to modern games Arx doesn’t tell you exactly what you need to do to advance the plot. The protagonist has a journal, but the game trusts players to know the rules of its mechanics as well as the workings of the universe and what the characters in it might want.

There were several points in the game where I’d end up off exploring on my own for hours, eventually ending up in places way beyond where I was supposed to be, and getting rewarded for it. If I’m not mistaken, it’s actually possible to forge the game’s strongest sword very early on if you do a lot of extracurricular exploration. Although Arx doesn’t have a huge number of side quests, the world here does contain its share of fulfilling secrets, including more than one completely optional area.

If anything in Arx is outdated it’s obviously the early Xbox 1-era graphics. Even there though, I think they did a really good job of making the end product look like the original art direction. The cut scenes, many of which are told with still paintings, also look very nice. It all fits together visually, at the very least. The control interface is pretty oldschool too. The item management system take some getting used to and Arx uses its own brand of real time combat and spell casting.

I really was not prepared to find a game like Arx Fatalis tucked away in time like this. Other than Demon’s Souls and Dark Souls (as well as probably Legend of Grimrock) I think it’s the last “real” dungeon crawler, given how far removed Bioshock is from the common ancestor both games share. Arx isn’t just good for being the “last” either, as a product and experience it feels more complete than most modern RPGs do, and this is all for $5, or a Dishonored pre-order on Steam.


  • Lightning Returns looks like an attempt at “Final Fantasy: Skyrim” to me. Even the logo and font are evocative of Bethesda and Skyrim.
  • In my opinion the star game of Steam Greenlight that you need to upvote is Routine: http://t.co/PDbpcbbv
  • Also, someone there’s trying to push a brand new space flight RPG with jazz music and a crime drama storyline: http://t.co/J2SjJiYQ
  • Looks like Black Ops II is leaving behind DX9, or at least Windows XP:http://kotaku.com/5940034/ 
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Previously From the Makers of “Dishonored”: Dark Messiah Might and Magic

One of this year’s games that started to generate a little buzz and is now getting the underdog’s support is Dishonored from Arkane Studios. Interested in this style of game I decided to investigate the developer’s two previous works, and I’d already picked up the later of the two on a Steam sale.

I’d heard a bit about Dark Messiah Might and Magic and began to look at it as one of those underrated western RPG classics in contrast to today’s gaming landscape. After having finished it, it manages to be a refreshing throwback to styles of game design I miss, but is also surprisingly modest.

It’s not even really an action RPG. It’s a first-person fantasy action game with a lot of RPG elements – really similar to a lot of today’s games when you think about it. You get skill points and level up abilities, but the game is as linear as a shooter and mostly based on hard combat.

That’s kind of where Dark Messiah stands out though. What I like about the game is how thoroughly objective its combat system tries to be. At first glance it actually kind of reminds me of Demon’s Souls but in first person.

It’s based on very clear strikes and parries that are all influenced by a physics engine, so melee fighting feels truly strategic while still using “normal” first person controls which adds an intuitive feel. When the game first came out people apparently complained about all the gimmicks like traps, ledges, and hazards that are quite exploitable. It’s pretty funny when 15 orcs come at you and you can kick every single one of them into a single wall of spikes or off the same cliff one by one. It’s like they want you to do this too since enemies go into ragdoll as soon as your attack connects, not when they hit the hazard.

Despite those things though, the combat still becomes truly challenging, especially later in the game. I might be sneaking behind an orc guard until he comes near a shelf of barrels and I collapse it, knocking the barrels down on him. The barrels don’t kill him instantly though, just knock him on the floor long enough for me to run up and land a finishing blow. I even appreciate how Dark Messiah get’s around how most character classes in RPGs stick to one kind of weapon. I went for a stealth character in this game but still ended up in situations where all four major weapon types had their uses.

One thing I can say about Dark Messiah is that it makes me confident that Arkane knows what goes into a proper stealth game. All the planning and intelligent use of the environment that I typically have to employ in Splinter Cell or Metal Gear is here in full force for a game that feels challenging but also fair. Hopefully Dishonored continues that tradition because it’s about time I played another good stealth game.


  • You don’t really need to know about the story in this game. Pretty basic stuff with what sounded like late 90’s voice acting from a time when game developers realized they could be snarky and lace their dialogue with sexual innuendo.
  • The sequel to Mario and Luigi’s heated argument: http://t.co/XS4SP4Ci
  • This iOS game called The Incident is actually pretty good and free as of this typing: http://t.co/9heP06Me
  • The real best way to us a retina MacBook: http://t.co/qc6aesVO
  • I’ve been thinking about it for a while, but maybe I really should buy Cybernator. Didn’t realize it was on Virtual Console.
  • Finished off Luther on Netflix. Probably the first police procedural I’ve liked that wasn’t Law & Order.
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